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  • The Voyager metaphor: 40 years on,”  Sound Studies: An Interdisciplinary Journal (2018): 1-8    







  • “Lohengrin at the Weimar Hoftheater: the Politics of a Premiere,” Journal of the American Liszt Society (2011): 135-58



  •  “The Composer’s Rainbow: Rudolf Kolisch and the limits of Rationalization,” Musiktheorie 3 (2009): 228-37





  • “Individuation as Worship: Wagner and Shakespeare,” in Great Shakespeareans: Berlioz, Verdi, Wagner, Britten, ed. Daniel Albright (London and New York: Continuum, 2012), 135-157


  • “Defending Wagner’s Italy,” The Legacy of Richard Wagner, ed. Luca Sala (Turnhaut: Brepols, 2012), 363-98


  • “Carl Stumpf: A Reluctant Revolutionary,” in The Origins of Music, ed. and trans. David Trippett (Oxford University Press, 2012), 17-30


  •  “Letters to a Young Composer About Wagner,” introduction and translation of excerpts from Johann Christian Lobe's "Briefe über Wagner an einen jungen Komponisten," in Wagner and his World, ed. Thomas Grey (Princeton University Press, 2009), 269-310


  • “The Overture to Tannhäuser,” introduction, annotation, and edition of portions from Liszt's essay “Lohengrin et Tannhäuser de Richard Wagner” in Wagner and his World, ed. Thomas Grey (Princeton University Press, 2009), 251-68

  • Entries for The Cambridge Wagner Encyclopedia, ed. Nicholas Vazsonyi (Cambridge University Press, 2013) on: Hans von Bülow, Marie d’Agoult, Edward Dannreuther, Marie Fürstin zu Hohenlohe, Improvisation, Franz Liszt, Melos, Piano Transcriptions, Carolyn von Sayn-Wittgenstein, Marie von Schleinitz, Agnes Street-Klindsworth, Karl Tausig, and Wendelin Weißheimer


  • Entries for The Grove Dictionary of American Music, 2nd edition, ed. Charles Hiroshi Garrett, et al., on: Theodor W. Adorno, Jacques Barzun, Hugues Panassié, and Andrew Porter


  • Edition and introduction, “Liszt on Lohengrin (or: Wagner in absentia)” of Liszt’s 1851 essay about Lohengrin, The Wagner Journal 4/1-3 (2010): vol. 1, 4-21; vol. 2. 28-40; vol. 3, 43-57

  • 'The Voyager Metaphor: 40 years on', Sound Studies 4 (2018): 4-8

  • Jean-Jacques Nattiez,  Analyses et interprétations de la musique: La mélodie du berger dans le Tristan et Isolde de Richard Wagner (Paris: Vrin, 2013) for Musicae Scientiae 19 (2015), 223-27


  • Kevin Karnes, A Kingdom not of this World: Wagner, the Arts, and Utopian Visions in Fin-de-Siècle Vienna (Oxford University Press, 2013) for Nineteenth-Century Music Review 12 (2015), 366-75


  • Gary Kahn, The Power of the Ring (London: Covent Garden, 2012), and Keith Warner’s production of the Ring at ROH, “Science, Sets and Symbols in Der Ring des Nibelungen” The Wagner Journal 7 (2013), 66-71


  • Edward T. Cone, The Unpublished Essays of Edward T. Cone, ed. Robert P. Morgan (Princeton University Press, 2009) for Fontes Artis Musicae 57 (2010): 437-40


  • Kenneth Hamilton, After the Golden Age (Oxford University Press, 2008) for Nineteenth-Century Music Review 7 (2010): 138-43


  • Franz Liszt and his World, ed. Gooley and Gibbs (Princeton University Press, 2006) for Notes 63 (2007): 839-42 

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