book chapters
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“Wagner’s Sublime Effects: Bells, Cannon and the Perception of Heavy Sound,” Music and the Sonorous Sublime in European Culture, 1680-1880, ed. Sarah Hibberd and Miranda Stanyon (Cambridge University Press, 2020), 245-72.
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“Beyond the Schröder-Devrient Myth: Wagnerian Melodie as Praxis,” Worttonmelodie: Die Herausforderung, Wagner zu singen, ed. Isolde Schmidt-Reiter (Vienna: Europäische Musiktheater-Akademie, 2020),
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“Digital Voices: Posthumanism and the Generation of Empathy,’” The Cambridge Companion to Music in Digital Culture, ed. Nicholas Cook, Monique Ingalls and David Trippett (CUP, 2019), 227-48
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“From distant sounds to Aeolian Ears: Ernst Kapp’s auditory prosthesis,” Nineteenth-Century Opera and the Scientific Imagination, ed. David Trippett and Benjamin Walton (CUP, 2019), 134-54
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“Wagner’s Ring in Operatic and Literary History,” The Cambridge Companion to Wagner’s ‘Der Ring des Nibelungen,’ ed. Mark Berry and Nicholas Vazsonyi (CUP, 2020), in production
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“Melody,” Oxford Handbook of Critical Concepts in Music Theory, ed. Alexander Rehding and Steve Rings (OUP, 2019), 401-40
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“Individuation as Worship: Wagner and Shakespeare,” in Great Shakespeareans: Berlioz, Verdi, Wagner, Britten, ed. Daniel Albright (London and New York: Continuum, 2012), 135-157
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“Defending Wagner’s Italy,” The Legacy of Richard Wagner, ed. Luca Sala (Turnhaut: Brepols, 2012), 363-98
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“Carl Stumpf: A Reluctant Revolutionary,” in The Origins of Music, ed. and trans. David Trippett (Oxford University Press, 2012), 17-30
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“Letters to a Young Composer About Wagner,” introduction and translation of excerpts from Johann Christian Lobe's "Briefe über Wagner an einen jungen Komponisten," in Wagner and his World, ed. Thomas Grey (Princeton University Press, 2009), 269-310
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“The Overture to Tannhäuser,” introduction, annotation, and edition of portions from Liszt's essay “Lohengrin et Tannhäuser de Richard Wagner” in Wagner and his World, ed. Thomas Grey (Princeton University Press, 2009), 251-68
