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• “Thing and Form: Visualizing Sound, or What's in a Pendulum?”, Journal of Musicology 43.1 (2026), in production

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• “Liszt's Hands, Marie's Stammbuch, and the Technology of Relational Inscription”, Studia Musicologica 66.1 (2025), 69-90

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• “Primal Listening: Human Minds and Animals Ears in the Age of Comparative Anatomy,” Journal of the Royal Musical Association (2025), in production 

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• “Ideas and Matter,” 19th-Century Music 43 (2019): 63-66
   

• “Sound as Hermeneutic, or: Helmholtz and the Quest for Objective Perception,” 19th-Century Music 43 (2019): 99-120

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• “An Uncrossable Rubicon: Liszt’s Sardanapalo revisited,” Journal of the Royal Musical Association 143 (2018): 361-432

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• “Music and the Transhuman Ear: Ultrasonics, Material Bodies, and the Limits of Sensation,” Musical Quarterly 100 (2018): 199-261

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• “Towards a Materialist History of Music: Histories of Sensation,” Franklin Humanities Institute, Duke University (2017)

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• “Exercising Musical Minds: Music and Phrenology in London, circa 1830,” 19th-Century Music 39 (2015): 99-124

 

•  “Facing Digital Realities: where Media do not Mix,” Cambridge Opera  Journal 26 (2014): 41-64

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