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articles
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“Thing and Form: Visualizing Sound, or What's in a Pendulum?”, Journal of Musicology 43.1 (2026), 61-118
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“Liszt's Hands, Marie's Stammbuch, and the Technology of Relational Inscription”, Studia Musicologica 66.1 (2025), 69-90
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“Primal Listening: Human Minds and Animals Ears in the Age of Comparative Anatomy,” Journal of the Royal Musical Association (2025), in production
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“Ideas and Matter,” 19th-Century Music 43 (2019): 63-66
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“Sound as Hermeneutic, or: Helmholtz and the Quest for Objective Perception,” 19th-Century Music 43 (2019): 99-120
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“An Uncrossable Rubicon: Liszt’s Sardanapalo revisited,” Journal of the Royal Musical Association 143 (2018): 361-432
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“Music and the Transhuman Ear: Ultrasonics, Material Bodies, and the Limits of Sensation,” Musical Quarterly 100 (2018): 199-261
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“Towards a Materialist History of Music: Histories of Sensation,” Franklin Humanities Institute, Duke University (2017)
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“Exercising Musical Minds: Music and Phrenology in London, circa 1830,” 19th-Century Music 39 (2015): 99-124
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“Facing Digital Realities: where Media do not Mix,” Cambridge Opera Journal 26 (2014): 41-64
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“Sensations of Listening in Helmholtz’s Laboratory” [review article], Studies in History and Philosophy of Science 48 (2014): 124-32
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“'Bayreuth in Miniature': Wagner and the Melodramatic Voice,” Musical Quarterly 95/1 (2012): 71-138
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“Lohengrin at the Weimar Hoftheater: the Politics of a Premiere,” Journal of the American Liszt Society (2011): 135-58
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“Wagner Studies and the ‘Parallactic Drift’” [review article], Cambridge Opera Journal 22 (2011): 235-55
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“The Composer’s Rainbow: Rudolf Kolisch and the limits of Rationalization,” Musiktheorie 3 (2009): 228-37
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“Après une lecture de Liszt: Virtuosity and Werktreue in the ‘Dante’ Sonata,” 19th-Century Music 32 (2008): 52-93
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“Composing Time: Zeno’s Arrow, Hindemith’s Erinnerung, and Satie’s Instantanéisme,” Journal of Musicology 24 (2007): 522-580
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